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Biography
Artist Statement
Trees
Leaping Pigments & other Painterly Tracks - carpet stories
Installations
Toxic Landscapes Exhibition(s)
The Monte Carlo Oil Suite and Uchronias Project
Mission Control (a series)
Pretty Pictures Lie
SubDivision-part & parcel (in the Petroleum Age)
Ground Control
Matter Revealed
From Pacific Heights to Hwy 751 plus Synthetic Theatre
UNC-Chapel Hill School of Government
Freelance Curatorial Projects
Courses I Have Taught
Film & Video

Caroleigh Robinson

Ground Control

burned and scorched industrial paper, canvas, rubber, vinyl, hair, NYC telephone directory, wood, bundles wrapped in steel wire.

tireiron.jpeg

LUMP Gallery.
Raleigh, North Carolina 1998

version installed via
Joie Lassiter Gallery
for Bank of America Plaza. TrizecHahn Properties.
"Turning Point 2000"
Pinkerton Investigations,Inc., "Landscape Redefined 2001", Charlotte, North Carolina.

tireiron.jpeg

tireiron.jpeg

tireiron.jpeg

tireiron.jpeg

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tireiron.jpeg

tireiron.jpeg

Explorations concerning the impact of the automobile on culture and nature are crucial. Specifically, the focus is on the relationship of urban planning and the geographic compression of natural resources or the dismantling of forests and extensive environmental and cultural damage resulting from the ways in which humans build, shape and define communities. Parceling and packaging refers to two key ideas: divisions of land defining the suburban structure of satellite communities or subdivisions, strip malls and corporate office parks dispersed along strings of highways and interstate roadways and, as a metaphor for the relationship of space and social interaction.
Networks of master subdivisions have created a car dependent population and continues to encourage a lifestyle built on fragmentation, multiplicity and continuous consumption requiring more energy to harness natural resources and, in so doing, polluting life sustaining elements and contributing to propelling social alienation.
Destruction of the land and forests, daily, to develop roads and to establish territory delineation is suffocating humanity. It is like an open sore oozing noxious gas alienating us from nature and each other. Alienation from nature is far more obvious than psychological and social alienation of cultures within the fabric of humanity. Planned communities, in essence, are about economic issues. A reconstitution of land splits-off into a further fragmentation of human beings into autonomous territorial enclaves sometimes by choice and sometimes due to clear divisions of class and race forming a hierarchy or ranking of population members. This ranking or ordering is a mask for sources of oppression, exploitation and domination embedded deep into the American individualist psyche.
The process of unmasking or exposing underlying ideas motivating urban planning and design is a process built on the knowledge that the human built environment is an engineered construction built not only with bricks and timber but clear ideas about the spatial order of social life. A redistribution of wealth and resources from the city to the suburbs translates to issues about an individuals power redefining and restructuring the faces of labor. Who does what where and what quality of life results is a factor in the way land is conceived and managed.
Most of us have witnessed the demise of American City centers in the last 50 years and their recent resurgence. My work addresses this experience from the point of personal interest and on a philosophical level because I have come to know that the way that we live is built upon
the way that ideas permeate experience. The perception of downtown, suburbia is significant because it is a perception of a thing that often determines a course of ideas and actions.
Thick layers of information, in todays post modern contemporary world, form skins & blankets of hyper-reality extending deeply into the spatial fabric of daily life. Openness and flexibility constitute the postmodern experience that which resists a single, all encompassing way of perceiving and knowing. A nomadic or migratory behavior of humans constitutes the term hypermodern world where the individual, naturally, expects to experience an overabundance of events and spaces. What this means is that in order to continue to participate in the modern world we are engaged in constant development, expansion and colonization of places that will provide real and virtual experiences.
The contemporary world or post modern experience can be considered to be a de-centered subject shifting in a simulacra of representations with theme park titles i.e. Esquire Towers, Sky View Estates, Cellular Shadows, Sparrows Trace, Whispering Pines, The Sodded Hedges of South Square, Tall Tree or Hogs Hollow - all tucked into perfectly landscaped and fertilized designer units. These are more like sugar cookies-equal parts sugar and fat!
As I experience and contemplate the sensibility of space I roll, fold, peel, compress, and expand physical material testing the limitations of form through the impact of speed, combustion and gravity. Tire marks, scorched and burned materials abraded by the impact of an automobile at high speed with ripped and torn surfaces turned inside-out, burned and blasted configurations intercepted by a gelatinous skin-like substances like Chitlins or lost epidermis and, photographic essays begin to represent the suburban condition. Individual rubber bundles, compressed, folded paper parcels; some with canvas and wool blankets, wrapped in wires like packages, clinging to a wall translate to ideas about segregation, geographic delineation, separation and social engineering. The colonization of the human race in terms of class structure, rich/poor, exclusive enclaves and those who live under a bridge is based on the memory and concept of manifest destiny or the continuous strive toward the development of autonomous sub-groups based on economic power and influence, desperately trying to escape mass misery. The blue light (sky) may burn out. The power may cease. Worse yet, the cul-de-sac may flood with the sewage of the neighbors as we busily try to grasp the relationship of life and environmental design in association with nature.

copyright 1998




Caroleigh Robinson
Exhibition Statement

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